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Q&A with Brandi


A big thank you to Brandi for taking the time to answer a few fan questions



Q: List 5 words that describe your upcoming album.

Ruckus, extreme, collaborative, reckless, mystical

 


Q: Have your recent international travels and successes influenced you in unexpected ways or taken your songwriting in new directions? 

I've always known to be careful not to write songs about traveling and being on the road.  I've noticed artists tends to write records about their life up until this point and then only write about traveling.  I prefer to remove myself from the smalless of my situation.  Having said that, it's difficult not to be influenced by my constant surroundings.



Q: What's your favorite part of the whole process of making music- writing? rewriting? arranging? recording? live concerts?

Live concerts and collaborating.  Making music with my friends.

 

 

Q: How many songs do you write for every one that actually makes it to an audience?

They all make it to an audience at one time or another. Although sometimes it's just a couple people in a room.

 

 

Q: If you could perform with any artist dead or alive, who would it be? 

Alive - Elton John.  Dead - Freddy Mercury

 

 

Q: Besides your instruments, what are the top 5 things that you must have while on the road?

Bedding (yes, I'm a bedding snob).  Starbucks.  Teddy Grahams (cinnamon).  Fuzzy posters to color.

 

 

Q: Are there any songs the band wants to cover but are to intimidated by to do so?

"Bohemian Rhapsody" by Queen

 

 

Q: Where were you when you heard yourself on the radio for the first time? 

Tri-cities in Eastern Washington.  I was 16.

 

 

Q: Are there any artists or songs you like listening to that you would consider your guilty pleasure, since that wouldn't really be your type of music?

Absolutely.  Countless.  But I would have more fun exposing that Tim's guilty pleasure is Let's Hear It For the Boyby Deniece Williams.

 



Q: Is there anything about your voice you dislike or wish you could do better?

I have good days and bad days but overall, I'm usually satisfied with where my voice is because it's always in a place of honesty.  I hope to never be satisfied with my voice in the grand scheme of things.  I hope to always be learning and improving.

 

 

Q: How hard is it for you to reach THAT note in The Story? Do you have to really concentrate to hit it or does it just come out? 

It's not hard at all because it's not really a note...it's really a scream.  And the more fucked up it is the better.

 

 

Q: Is there a note you can reach that Phil can't top?

It just depends what day it is, but yes, I can reach higher notes than Phil.



Q: When writing songs, do you find that sometimes you just have this burst of creativity and the words and music just come out and then at other times it's like pulling teeth to get anything creative to come out of your mind? 

Yes.



Q: Is there a particular time of the day/night you find you write the most songs? 

Good question.  I tend to write songs usually when I'm entranced by something else.  Be it stargazing, being in the shower, falling asleep, waking up, or when really consumed by a problem. 



Q: What song took you the longest to write?

The song that has taken me the longest to arrange has been "Pride and Joy". 



Q: Jodie Foster once said that she feels there is nothing good about her fame/public recognition except that she always gets a good seat at restaurants. What is the biggest perk to your fame/recognition? 

The ability to reach large number of people with causes like the Looking Out Foundation and issues that I think are important that people know and help out with.  The overall larger sense of community...

 

 

Q: What is your favorite curse word?

Fuck.  A dear friend of mine once said it is the most expressive word in the English language.

 

 

 

 

 

 

 

 

 

 


UPDATE: June 17, 2009


Summer Tour Dates!


6/23  Interlochen Center  - Interlochen, MI

6/24  Meijer Gardens - Grand Rapids, MI

6/26  Ravinia Festival - Chicago, IL

6/28  Lake Superior Big Top - Bayfield, WI

7/18  Super Bock Super Rock - Lisbon, Portugal



See Full Tour Listing



 


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    May 28, 2009

    How Brandi Carlile Saved My Daughters from Disney


    By Josh Jackson 


    You might assume that as editor of Paste, my kids have grown up on a steady diet of Flaming Lips and Death Cab For Cutie. But somewhere along the way, my cultural influence over them was overwhelmed by the folks at Disney. Roly Poly Olie eventually gave way to Hannah Montana, Zack & Cody and the horrendous Wizards of Waverly Place. High School Musical begat Camp Rock and Demi Lovato. Someone told them that they could find Radio Disney on the AM dial, and I'd have to endure Selena Gomez and Jesse McCartney through waves of static.


    It's not that I didn't try. Blessed were those rare CDs we all loved—They Might Be Giants' No, the For the Kids series with Wilco and Aimee Mann, everything from Ralph's World. And every Pastesampler seemed to have a few songs they'd request on repeat. But no matter how many mix CDs I'd make for them, their first mp3 playlists couldn't have made the Disney execs smile any wider. (By the way, how is it that a record label can operate a radio station that plays almost nothing but its own artists over public airwaves?) Eventually, I just tried to use my influence to steer them towards the best of Tween fare—artists like Taylor Swift who actually write their own (very good) songs.


    But when our 10-year-old Jordan started to sound a little like the snotty teenagers she was watching on TV, Hannah Montana and Wizards were outlawed. Soon after, we were fortunate enough to be guests on the Cayamo cruise earlier, and I made the family a mix of Cayamo artists for the drive down—Lyle Lovett, Patty Griffin, Kathleen Edwards, Over the Rhine, John Hiatt. But it was Brandi Carlile they kept wanting to hear. By the time we saw her concert, my girls knew most of the words. At Emma's ninth birthday party (a lock-in at the Paste office) she cranked up "The Story" for her friends like it was the latest Miley Cyrus hit. The requests for Radio Disney stopped, and I overheard Jordan telling her friends she doesn't think Cyrus is a very good singer anymore.


    So when Brandi recently came within half a mile of our house last week to play a pair of intimate performances at Eddie's Attic, I took them to the early show. It was the first real club concert for my kids. Eddie's has a no-talking-during-the-performance rule, and my usually very loud children abided. They sat patiently through a great opening set from Gregory Alan Isakov, eagerly awaiting Brandi. They mouthed all the words except when they couldn't resist singing along. When Brandi started clapping, they clapped. When Brandi told the audience to stand, Emma stood up on her stool with her hands in the air.


    Jordan wrote her first song a couple of days after the show. She won't sing it to me yet, but the lyrics are great. She began guitar lessons earlier this year and is headed to girls rock camp this summer. Emma is saving up her money for a guitar now. When they think of a future rock star, the image is of a down-to-earth Carlile instead of a glammed-up Ashley Tisdale.


    Disney isn't completely out of the picture. We still let them watch The Suite Life of Zack & Cody, and we all love the brilliant Phineas and Ferb—the best thing Disney has done since The Little Mermaid. Where their love for Brandi's music leads them next is anybody's guess. There are a lot of pitfalls out there worse than Hannah Montana (they did start singing a Katy Perry tune a couple months ago). But right now I love it when even my four-year-old will ask for "cruise music" and we can crank up Brandi's "live from Paste" tracks and sing our hearts out.“

















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